Ukrainian. Photographies

ARTICLE

"To Know Us Better". Curator Amelie Schüle on Anton Shebetko's exhibition at Foam museum in Amsterdam.

Anton Shebetko - To Know Us Better, 2022 © Foam - Photo Josef Degabriele 2.jpg

Anton Shebetko (1990, Ukraine) uses extensive research to highlight the Queer history of Ukraine and its absence in this nation's public memory. He works actively with members of the Ukrainian LGBTQ+ community that flourished within a conservative Ukrainian society. Through interviews and archival research, Shebetko strives to construct a public memory and raise awareness for the national Queer community.

In his series To Know Us Better, Shebetko portrays Queer Ukrainians who are living or temporarily staying in Europe. Their experience and hopes for a better future are documented in a series of portraits and heartfelt interviews. The series shows people who moved after Russia's occupation of Crimea, the war in the East in 2014 and Russia's full invasion in 2022. A part of the community has fled Ukraine to find refuge in neighbouring countries. Others have decided to stay or return to safe places within the country. These portraits and heartfelt interviews document their experiences and hopes for a better future.

Additionally, Shebetko created the publication A Very Brief and Subjective Queer History of Ukraine. This self-published book includes years of iconographic and written research. Interviews and essays from Shebetko's archive are featured alongside others that were created specifically for this publication.

A central piece of his publication A Very Brief and Subjective Queer History of Ukraine is a timeline. It has been drawn that highlights key moments in the history of this community. Shebetko used Carlos A. Motta's Brief History of Homosexual Repression in Ukraine (2014) as a reference in the construction of this timeline. This work was presented at the Future Generation Art Prize 2014 exhibition in Kyiv's Pinchuk Art Centre. Shebetko attempts to complete Motta's research by filling in the gaps and adding new dates. The timeline starts with the historical oppression and leads toward gained visibility over the past few years.

Side notes: A special episode of Foam’s podcast Foam Talks explores how communitarian archives are fostering a new understanding of queer life and culture in Eastern Europe. Besides Shebetko, the conversation welcomes Karol Radziszewski, Polish artist and co-founder of Queer Archives Institute for Central and Eastern Europe. The conversation is moderated by Jim van Geel, Coordinator Public Programme at Rijksakademie and Curator Public Programme Young Design at Design Museum. link

Foam Editions offers a limited-edition print by Anton Shebetko. All proceeds of this sale will go to humanitarian funds in Ukraine. link

The presentation at Foam is still on view until September 7. If you are intersted check the details here

Images 1-4 courtesy the artist

Images 5-6 and cover photo © Foam — Photo Josef Degabriele

Images 7-9 © Foam

Anton Shebetko is a Ukrainian artist and photographer from Kyiv. He currently lives in Amsterdam.

Anton works closely with LGBTQ + topics, themes of memory, loss of identity, plurality of history, and the role that photography can play in revealing these stories. His extensive research is devoted to the forgotten queer history of Ukraine. His range of projects varies from installations and interventions dedicated to old cruising spots and underground gay resorts in Crimea to more relevant topics such as Ukrainian LGBTQ + soldiers.

Amelie Schüle is curator and head of public practice at FOAM in Amsterdam.

In her work, Amelie focuses on the crossroads between art, culture and society. At Foam, she is responsible for the public programming and projects outside the walls of the museum such as the project location MAQAM and Galerie Mercatorplein. Her department aims to implement a public-centred practice focussing on accessibility, inclusion, collaboration, and interdisciplinarity. From 2018 until early 2020 she was a curator at Unseen Amsterdam. Before this, she worked for 6 years in the commercial gallery sector.